Mirror
with Geometric Patterns and the Four Spirits
If you ever visit the Kyoto National Museum, look for excavated
artifacts in Room 1 (Pre-Historic Archaeology), on the 1st Floor
of the New Exhibition Hall.
Il se penchait sur leur mystere fluide. Il les contemplait comme
de fenetres ouvertes sur l'infini. Mais il les craignait aussi.
from Georges Rodenbach, L'Ami des Miroirs
The mirrors we use today are made of glass that has been coated
on one side with a thin layer of reflective silver or aluminum plate.
This kind of glass mirror was first made in Italy in the 16th Century.
As technology improved, these glass mirrors spread around the world.
But glass mirrors are not the only type of reflecting mirror. In
Japan, in fact, glass mirrors were not used until the late 19th
Century, in the Meiji Period. Before that time, the Japanese used
mirrors made of bronze!
These days, we know a lot about the physics of light, so we find
nothing mysterious about the reflected image in the mirror or the
relationship between the reflection and the reality behind it. In
the old days, however, people did not understand such things, so
mirrors were more than just everyday implements; they were thought
to have spiritual powers! In the movie Orpheus, by French poet Jean
Cocteau, the main character uses a mirror to go from the world of
the living to the world of the dead. People must have thought that
there was something supernatural or frightening about the images
and world reflected in mirrors!
Until recently, many people thought that mirrors could stop ghosts
and evil spirits and that if a mirror broke it was bad luck. In
the East, it was thought that mirrors should always be covered when
not in use. Such superstitions show that mirrors were thought to
have special powers.
In Japan, numerous bronze mirrors have been excavated from the tombs
of powerful people from the Yayoi Period (200 B.C.- 250 A.D.) and
the Kofun Period (250 - 552 A.D.) and temples and shrines have great
numbers of old mirrors that have been handed down for centuries.
This shows us that the Japanese too thought that mirrors had supernatural
powers. The Japanese used such mirrors for festivals and exorcisms--mirrors
were a symbol of power!
The mystical connotations of Asian mirrors can also bee seen from
the patterns and inscriptions molded into the backs. Let's look
at the patterns on one mirror and see how these patterns reflect
the thought of the time in which it was made. This Mirror with Geometric
Patterns and the Four Spirits is an example of a type of mirror
that was made in great numbers in China from the end of the Early
Han Dynasty to the Late Han Dynasty (from about the 1st Century
B.C. to the 2nd Century A.D.), which corresponds to the Japanese
Yayoi Period. Many of these mirrors were brought into Japan by way
of Korea.
Mirror with Geometric
Patterns
and the Four Spirits
Bronze, 18.3 cm diameter
China, Han Dynasty
Excavation site unknown
(Kyoto National Museum)
The patterns on this mirror are based on ancient Chinese beliefs.
The ancient Chinese thought that the earth was a square covered
with a large dome-shaped sky. The designs on this mirror symbolically
express the "Round Sky, Square Earth" world view and cosmology
of ancient China.
How exactly do the patterns on this mirror symbolize the "Round
Sky, Square Earth" view? If you look at the mirror, you will
see a square surrounding the central knob. This square represents
the earth, while the thick circular rim of the mirror represents
the heavens. The T-shaped motifs extending out from the center of
each of the four sides of the square are pillars and beams that
hold up the universe. The L and V-shaped motifs are devices that
hold heaven and earth together. Between the knob and the border
are many animals, the most important of which are a blue dragon,
a white tiger, a red phoenix bird and a black wu (a tortoise intertwined
with a snake). Together, these four animals make up the "four
spirits," mythical gods who represent star constellations in
the four quarters of the universe. The blue dragon represents constellations
in the east, the white tiger in the west, the red bird in the south
and the black tortoise-snake in the north.
Among the four spirits are spiraling patterns representing qi (ki
in Japanese), a life energy that fills the universe. The ancient
Chinese believed that if you lived in perfect harmony with the workings
of the universe, things would happen as you wished. Perhaps people
of the day thought that by owning a mirror representing the universe,
they could get the same effect!
These kinds of mirrors often have inscriptions listing the happiness
and good luck that will come to the owner. However, this good luck
and happiness usually consists of long life, getting rich and moving
ahead in the world. Don't you think these desires sound more human
than godlike?
Text by Yozo Nanba, Department of Archaeology
Illustrations by Satoshi Ichida, Department of Public Relations
English Translation by Melissa M. Rinne, Department of Archives
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