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Calligraphy by Eminent Priests and Founders of Japanese Buddhism



November 15 (Wednesday) to December 24 (Sunday), 2006

The Collections Hall, Galleries 13

This exhibition features calligraphic works by celebrated priests, who shaped the foundations of Buddhism in Japan. The calligraphy of these Japanese Buddhist master can be said to have begun in the Heian period (794-1192) with the founder of the esoteric Shingon sect Kukai (774-835; posthumously known as Kobo Daishi). Not only is Kukai historically significant, he is also well remembered as one of the three great calligraphers of his time. Kukai's Kanjo rekimei (Register of Participants in Esoteric Consecration Ceremony; National Treasure, Jingo-ji), which will be on exhibit, is an important record in that the name of the founder of the rivaling Tendai sect Saicho appears in it. This manuscript seems to have originally been meant to be Kukai's own memorandum, hence, not for others to see. His amazing penmanship here shows that he consistently excelled in his calligraphic skills even in this note to himself. The daily rules of conduct for the Shaka-do Hall of Ryozan-in Temple (Ryozan-in Shaka-do mainichi saho, Important Cultural Property, Shojuraigo-ji), signed by Buddhist masters such as Genshin (942-1017), also represents an outstanding calligraphic work that was not meant for public display. New schools of Buddhism and new ideas from traditional schools rose in the Kamakura period (1185-1333), which marked an important milestone in Japanese Buddhism. This section presents various religious manuscripts by several important priests. For example, in his fervent belief in the historic Buddha Sakyamuni, Myoe (1173-1232) of Kozan-ji Temple dreamt of going to India, the birthplace of Buddhism, and recorded the distance and time it would take to travel there. The founder of the Jodo-Shinshu sect Shinran (1173-1262) devoted twenty years of his latter years in completing his treatise Kyogyoshinsho (Teaching, Practice, Faith, and Enlightenment). The calligraphic works in this exhibit trace the devotion for the Buddhist path, the accumulation of study, and the deepening of faith by various historic Japanese Buddhist masters.

 


National Treasure
Kanjo rekimei
(Register of Participants in Esoteric Consecration Ceremony) by Kukai (774-835)

Heian Period
Jingo-ji


 


Important Cultural Property
Dream Diary by Myoe

Kamakura Period
KNM


List of Works
Title Title Period Provenance
National Treasure Kanjo rekimei (Register of Participants in Esoteric Consecration Ceremony) by Kukai (774-835) Heian Period Jingo-ji
National Treasure Enchin gimon (Enchin's Questions for Chinese Buddhist Masters) from manuscripts and scriptures related to Master Chisho by Enchin (814-891) Onjo-ji
Important Cultural Property Hannya rishu shaku (Commentary on the Prajnaparamita-naya Sutra) copied by Shunnyu (890-953) Ninna-ji
Important Cultural Property Twenty-six Article Pledge by Jie Daishi by Ryogen (912-985), et al Rozan-ji
Important Cultural Property Ryozan-in Shaka-do mainichi saho (Daily Rules of Conduct for the Shaka-dMo Hall of Ryozan-in Temple) by Genshin (942-1017), et al Shojuraigo-ji
Important Cultural Property Master Honen's Seven-Article Pledge by Genku (Honen, 1133-1212), et al Kamakura Period Nison-in
Important Cultural Property Missives by Genku and Shoku (1177-1247) Kozen-ji
Important Cultural Property Missive by Jien (1155-1225) Manushu-in
National Treasure Testament of Transmission by Shunjo (1166-1227) Sennyk-ji
Important Cultural Property Dream Diary by Myoe(1173-1232) KNM
Important Cultural Property Daito Tenjiku ritei sho (Record of Distance to China and India) by Myoe Kozan-ji
National Treasure Kyogyoshinsho (Teaching, Practice, Faith, and Enlightenment), Bando Edition by Shinran (1173-1262) Shinshu Otani Branch
  Sanganmon (Three Vows of the Bodhisattva Dharmacara) by Shinran Jiun-ji
Important Cultural Property Urabon onsho (On the Ullambana Service) by Nichiren (1222-1282) Myokaku-ji