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The World of Immortals

January 2 (Tuesday) to January 28 (Sunday), 2007
The Collections Hall, Galleries 11/12
This exhibition features immortal paintings from Song (960-1279) to modern China and Muromachi to Edo-period Japan. Reflecting people's many wishes and desires, such as longevity, health, bountiful harvests, wealth and fame, and prosperity, a multitude of wish-granting immortals were created in East Asia. Detailed and fascinating paintings of these supernatural beings came to be popular in China and Japan.
In China, especially from the Yuan dynasty (1271-1368) onward, images of eight Taoist heroes became well known. These figures included Lu Dongbin (J., Ryo Dohin), Zhong Liquan (J., Sho Riken), and the semi-legendary figures Liu Haichan and Li Tieguai, who became the often-paired immortals Xiama (J., Gama) and Tieguai (J., Tekkai). Later, Hanshan (J., Kanzan) and Shide (J., Jittoku), who first appeared as Chan (J., Zen) eccentric hermits, also gradually took on Taoist features and can be seen floating above the ocean with the Eight Immortals in Ming-dynasty (1368-1644) paintings.
In Japan, the content of many immortal paintings were iconographically based on Chinese models. However, master artists of the Muromachi and Edo periods, such as Sesson (1504-1589) and Soga Shohaku (1730-1781), used their imaginations to create their own colorful renditions of these figures. Other developments have also occurred. For example, the deity Tenjin has been widely depicted in scenes where he is crossing over to China, and Japanese gods such as Ebisu and Daikoku have been combined with their Chinese counterparts in popular paintings of the Seven Gods of Good Fortune.
Important Cultural Property
Xiama and Tieguai by Yan Hui
China Yuan dynasty
Chion-ji
Important Cultural Property
Hanshan and Shide by Soga Shohaku
Edo period
Kosho-ji
Important Cultural Property
Qin Gao and Immortals by Sesson
Muromachi period
KNM
| Country |
Designation | Title |
Period |
Provenance |
| China |
Important Cultural Property |
Samantabhadra Bodhisattva (Laozi) |
Song dynasty |
Shinsho Gokuraku-ji |
| Important Cultural Property |
Five Hundred Luohan by Zhou Jichang |
Daitoku-ji |
| Important Cultural Property |
Xiama and Tieguai by Yan Hui |
yuan dynasty |
Chion-ji |
| |
Immortals by Liu Yu |
Ming dynasty |
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| Chang'e the Moon Goddess |
| Yaochi the Abode of the Queen Mother of the West by Zhang dated 1644 |
| Japan |
Important Cultural Property |
Huang Chuping, After Liang Kai by Sesshu |
Muromachi period |
KNM |
| Qin Gao and Immortals by Sesson |
| |
Lu Dongbin by Sesson |
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| Zhongkui the Demon Queller by Sesson |
| Important Cultural Property |
Xiama and Tieguai by Mincho |
Tofuku-ji |
| |
Queen Mother of the West and King Mu by Koboku |
KNM |
| Zhong Liquan and Lu Dongbin Attributed to Masanobu |
Seigen-in |
| Budai with Chinese Children Verse by Nanzan Shiun |
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| Tenjin in Formal Court Robes Verse by Tenyo Seikei |
Zenkyo-an |
| Xiama and Tieguai by Kano Tan'yu |
Edo period |
Nanzen-ji |
| Important Cultural Property |
Hanshan and Shide by Soga Shohaku |
Kosho-ji |
| |
Xiama and Tieguai by Soga Shohaku |
Narita Museum |
| Budai and Rough Waters Attributed to Watanabe Shuseki |
Manpuku-ji |
| Shoulaoren (J., Jurojin) by Ganku |
KNM |
| Mount Penglai by Tomioka Tessai |
Meiji period |
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