MondayAugust 1, 2022
The Museum is ClosedCalendarSee Current Exhibition Details
- Galleries and Exhibition Themes
- 3F
- 2F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
- 1F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
TuesdayAugust 2, 2022
Exhibitions
- Galleries and Exhibition Themes
- 3F
- 2F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
- 1F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
WednesdayAugust 3, 2022
Exhibitions
- Galleries and Exhibition Themes
- 3F
- 2F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
- 1F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
ThursdayAugust 4, 2022
Exhibitions
- Galleries and Exhibition Themes
- 3F
- 2F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
- 1F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
FridayAugust 5, 2022
Exhibitions
- Galleries and Exhibition Themes
- 3F
- 2F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
- 1F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
SaturdayAugust 6, 2022
Exhibitions
- Galleries and Exhibition Themes
- 3F
- 2F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
- 1F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
SundayAugust 7, 2022
Exhibitions
- Galleries and Exhibition Themes
- 3F
- 2F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
- 1F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
MondayAugust 8, 2022
The Museum is ClosedCalendarSee Current Exhibition Details
- Galleries and Exhibition Themes
- 3F
- 2F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
- 1F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
TuesdayAugust 9, 2022
Exhibitions
- Galleries and Exhibition Themes
- 3F
- 2F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
- 1F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
WednesdayAugust 10, 2022
Exhibitions
- Galleries and Exhibition Themes
- 3F
- 2F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
- 1F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
ThursdayAugust 11, 2022
Exhibitions
- Galleries and Exhibition Themes
- 3F
- 2F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
- 1F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
FridayAugust 12, 2022
Exhibitions
- Galleries and Exhibition Themes
- 3F
- 2F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
- 1F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
SaturdayAugust 13, 2022
Exhibitions
- Galleries and Exhibition Themes
- 3F
- 2F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
- 1F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
SundayAugust 14, 2022
Exhibitions
- Galleries and Exhibition Themes
- 3F
- 2F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
- 1F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
MondayAugust 15, 2022
The Museum is ClosedCalendarSee Current Exhibition Details
- Galleries and Exhibition Themes
- 3F
- 2F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
- 1F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
TuesdayAugust 16, 2022
Exhibitions
- Galleries and Exhibition Themes
- 3F
- 2F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
- 1F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
WednesdayAugust 17, 2022
Exhibitions
- Galleries and Exhibition Themes
- 3F
- 2F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
- 1F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
ThursdayAugust 18, 2022
Exhibitions
- Galleries and Exhibition Themes
- 3F
- 2F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
- 1F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
FridayAugust 19, 2022
Exhibitions
- Galleries and Exhibition Themes
- 3F
- 2F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
- 1F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
SaturdayAugust 20, 2022
Exhibitions
- Galleries and Exhibition Themes
- 3F
- 2F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
- 1F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
SundayAugust 21, 2022
Exhibitions
- Galleries and Exhibition Themes
- 3F
- 2F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
- 1F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
MondayAugust 22, 2022
The Museum is ClosedCalendarSee Current Exhibition Details
- Galleries and Exhibition Themes
- 3F
- 2F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
- 1F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
TuesdayAugust 23, 2022
Exhibitions
- Galleries and Exhibition Themes
- 3F
- 2F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
- 1F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
WednesdayAugust 24, 2022
Exhibitions
- Galleries and Exhibition Themes
- 3F
- 2F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
- 1F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
ThursdayAugust 25, 2022
Exhibitions
- Galleries and Exhibition Themes
- 3F
- 2F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
- 1F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
FridayAugust 26, 2022
Exhibitions
- Galleries and Exhibition Themes
- 3F
- 2F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
- 1F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
SaturdayAugust 27, 2022
Exhibitions
- Galleries and Exhibition Themes
- 3F
- 2F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
- 1F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
SundayAugust 28, 2022
Exhibitions
- Galleries and Exhibition Themes
- 3F
- 2F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
- 1F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
MondayAugust 29, 2022
The Museum is ClosedCalendarSee Current Exhibition Details
- Galleries and Exhibition Themes
- 3F
- 2F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
- 1F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
TuesdayAugust 30, 2022
Exhibitions
- Galleries and Exhibition Themes
- 3F
- 2F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
- 1F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
WednesdayAugust 31, 2022
Exhibitions
- Galleries and Exhibition Themes
- 3F
- 2F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
- 1F
2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court2F-1~5/1F-1~6 Special Exhibitions
Special Exhibition
Kanshin-ji and Kongō-ji, Two Temples of Kawachinagano: Esoteric Buddhist Art and the Legacy of the Southern Court
Also On View in the Collection Galleries特別展観覧料が必要
Ceramics of Japan and East Asia
July 30–September 11, 2022
Ceramics|3F-1 gallery
Ceramics are prized not only for their beauty but also for their uses as dishes and in other quotidian functions. East Asian ceramics have a particularly wide range of patterns, forms, colors, and applications. They can incorporate vastly different materials and techniques, resulting in wares as diverse as earthenware or porcelain, with distinguishing characteristics deriving from the types of clay, the glazes, the décor, and the firing techniques employed at the site of their production. This gallery features a variety of ceramics from Japan, China, and the Korean Peninsula, pieces exemplifying the distinctive qualities and assets of each kiln site.

Tomb Figure of a Court Lady
Kyoto National Museum
Special Viewing
Kumamoto and Miyazaki in the Kofun Period: Stone Figures and Shell Bracelets
July 30–September 11, 2022
Archaeological Relics|3F-2 gallery
Kofun-period culture arose in the Kinai region in the middle of the third century, and by the fourth century common features could be seen stretching from the northeastern Tohoku region to the southwestern island of Kyushu. These included similarities in residences and the shapes of keyhole-shaped tumuli called “kofun.” But by the fifth and sixth centuries, evidence of noticeable differences appeared in the styles of stone burial chambers and the burial goods contained in these tumuli.
Among these broader changes, the south-central region of Kyushu developed a unique burial culture independent of the Honshu and Shikoku regions. Prime examples include stone figures called sekijin and figures carved in relief that have been found mainly in Kumamoto and Fukuoka prefectures, as well as bracelets made from shell imported from oceans to the south, which were discovered in Miyazaki. This exhibition shows that, far from the popular image of regional uniformity, the Kumamoto and Miyazaki regions developed their own unique Kofun culture.

Shell Bracelet
From Ōtsubo Tomb No. 1, Miyazaki
Saitobaru Archaeological Museum of Miyazaki Prefecture

Object with Incised Lines and Arcs
From Kunigoshi Tumulus, Kumamoto
Kumamoto Prefectural Decorated Tumulus Museum
Also On View in the Collection Galleries特別展観覧料が必要
Ceramics of Japan and East Asia
July 30–September 11, 2022
Ceramics|3F-1 gallery
Ceramics are prized not only for their beauty but also for their uses as dishes and in other quotidian functions. East Asian ceramics have a particularly wide range of patterns, forms, colors, and applications. They can incorporate vastly different materials and techniques, resulting in wares as diverse as earthenware or porcelain, with distinguishing characteristics deriving from the types of clay, the glazes, the décor, and the firing techniques employed at the site of their production. This gallery features a variety of ceramics from Japan, China, and the Korean Peninsula, pieces exemplifying the distinctive qualities and assets of each kiln site.

Tomb Figure of a Court Lady
Kyoto National Museum
Special Viewing
Kumamoto and Miyazaki in the Kofun Period: Stone Figures and Shell Bracelets
July 30–September 11, 2022
Archaeological Relics|3F-2 gallery
Kofun-period culture arose in the Kinai region in the middle of the third century, and by the fourth century common features could be seen stretching from the northeastern Tohoku region to the southwestern island of Kyushu. These included similarities in residences and the shapes of keyhole-shaped tumuli called “kofun.” But by the fifth and sixth centuries, evidence of noticeable differences appeared in the styles of stone burial chambers and the burial goods contained in these tumuli.
Among these broader changes, the south-central region of Kyushu developed a unique burial culture independent of the Honshu and Shikoku regions. Prime examples include stone figures called sekijin and figures carved in relief that have been found mainly in Kumamoto and Fukuoka prefectures, as well as bracelets made from shell imported from oceans to the south, which were discovered in Miyazaki. This exhibition shows that, far from the popular image of regional uniformity, the Kumamoto and Miyazaki regions developed their own unique Kofun culture.

Shell Bracelet
From Ōtsubo Tomb No. 1, Miyazaki
Saitobaru Archaeological Museum of Miyazaki Prefecture

Object with Incised Lines and Arcs
From Kunigoshi Tumulus, Kumamoto
Kumamoto Prefectural Decorated Tumulus Museum
Also On View in the Collection Galleries特別展観覧料が必要
Ceramics of Japan and East Asia
July 30–September 11, 2022
Ceramics|3F-1 gallery
Ceramics are prized not only for their beauty but also for their uses as dishes and in other quotidian functions. East Asian ceramics have a particularly wide range of patterns, forms, colors, and applications. They can incorporate vastly different materials and techniques, resulting in wares as diverse as earthenware or porcelain, with distinguishing characteristics deriving from the types of clay, the glazes, the décor, and the firing techniques employed at the site of their production. This gallery features a variety of ceramics from Japan, China, and the Korean Peninsula, pieces exemplifying the distinctive qualities and assets of each kiln site.

Tomb Figure of a Court Lady
Kyoto National Museum
Special Viewing
Kumamoto and Miyazaki in the Kofun Period: Stone Figures and Shell Bracelets
July 30–September 11, 2022
Archaeological Relics|3F-2 gallery
Kofun-period culture arose in the Kinai region in the middle of the third century, and by the fourth century common features could be seen stretching from the northeastern Tohoku region to the southwestern island of Kyushu. These included similarities in residences and the shapes of keyhole-shaped tumuli called “kofun.” But by the fifth and sixth centuries, evidence of noticeable differences appeared in the styles of stone burial chambers and the burial goods contained in these tumuli.
Among these broader changes, the south-central region of Kyushu developed a unique burial culture independent of the Honshu and Shikoku regions. Prime examples include stone figures called sekijin and figures carved in relief that have been found mainly in Kumamoto and Fukuoka prefectures, as well as bracelets made from shell imported from oceans to the south, which were discovered in Miyazaki. This exhibition shows that, far from the popular image of regional uniformity, the Kumamoto and Miyazaki regions developed their own unique Kofun culture.

Shell Bracelet
From Ōtsubo Tomb No. 1, Miyazaki
Saitobaru Archaeological Museum of Miyazaki Prefecture

Object with Incised Lines and Arcs
From Kunigoshi Tumulus, Kumamoto
Kumamoto Prefectural Decorated Tumulus Museum
Also On View in the Collection Galleries特別展観覧料が必要
Ceramics of Japan and East Asia
July 30–September 11, 2022
Ceramics|3F-1 gallery
Ceramics are prized not only for their beauty but also for their uses as dishes and in other quotidian functions. East Asian ceramics have a particularly wide range of patterns, forms, colors, and applications. They can incorporate vastly different materials and techniques, resulting in wares as diverse as earthenware or porcelain, with distinguishing characteristics deriving from the types of clay, the glazes, the décor, and the firing techniques employed at the site of their production. This gallery features a variety of ceramics from Japan, China, and the Korean Peninsula, pieces exemplifying the distinctive qualities and assets of each kiln site.

Tomb Figure of a Court Lady
Kyoto National Museum
Special Viewing
Kumamoto and Miyazaki in the Kofun Period: Stone Figures and Shell Bracelets
July 30–September 11, 2022
Archaeological Relics|3F-2 gallery
Kofun-period culture arose in the Kinai region in the middle of the third century, and by the fourth century common features could be seen stretching from the northeastern Tohoku region to the southwestern island of Kyushu. These included similarities in residences and the shapes of keyhole-shaped tumuli called “kofun.” But by the fifth and sixth centuries, evidence of noticeable differences appeared in the styles of stone burial chambers and the burial goods contained in these tumuli.
Among these broader changes, the south-central region of Kyushu developed a unique burial culture independent of the Honshu and Shikoku regions. Prime examples include stone figures called sekijin and figures carved in relief that have been found mainly in Kumamoto and Fukuoka prefectures, as well as bracelets made from shell imported from oceans to the south, which were discovered in Miyazaki. This exhibition shows that, far from the popular image of regional uniformity, the Kumamoto and Miyazaki regions developed their own unique Kofun culture.

Shell Bracelet
From Ōtsubo Tomb No. 1, Miyazaki
Saitobaru Archaeological Museum of Miyazaki Prefecture

Object with Incised Lines and Arcs
From Kunigoshi Tumulus, Kumamoto
Kumamoto Prefectural Decorated Tumulus Museum
Also On View in the Collection Galleries特別展観覧料が必要
Ceramics of Japan and East Asia
July 30–September 11, 2022
Ceramics|3F-1 gallery
Ceramics are prized not only for their beauty but also for their uses as dishes and in other quotidian functions. East Asian ceramics have a particularly wide range of patterns, forms, colors, and applications. They can incorporate vastly different materials and techniques, resulting in wares as diverse as earthenware or porcelain, with distinguishing characteristics deriving from the types of clay, the glazes, the décor, and the firing techniques employed at the site of their production. This gallery features a variety of ceramics from Japan, China, and the Korean Peninsula, pieces exemplifying the distinctive qualities and assets of each kiln site.

Tomb Figure of a Court Lady
Kyoto National Museum
Special Viewing
Kumamoto and Miyazaki in the Kofun Period: Stone Figures and Shell Bracelets
July 30–September 11, 2022
Archaeological Relics|3F-2 gallery
Kofun-period culture arose in the Kinai region in the middle of the third century, and by the fourth century common features could be seen stretching from the northeastern Tohoku region to the southwestern island of Kyushu. These included similarities in residences and the shapes of keyhole-shaped tumuli called “kofun.” But by the fifth and sixth centuries, evidence of noticeable differences appeared in the styles of stone burial chambers and the burial goods contained in these tumuli.
Among these broader changes, the south-central region of Kyushu developed a unique burial culture independent of the Honshu and Shikoku regions. Prime examples include stone figures called sekijin and figures carved in relief that have been found mainly in Kumamoto and Fukuoka prefectures, as well as bracelets made from shell imported from oceans to the south, which were discovered in Miyazaki. This exhibition shows that, far from the popular image of regional uniformity, the Kumamoto and Miyazaki regions developed their own unique Kofun culture.

Shell Bracelet
From Ōtsubo Tomb No. 1, Miyazaki
Saitobaru Archaeological Museum of Miyazaki Prefecture

Object with Incised Lines and Arcs
From Kunigoshi Tumulus, Kumamoto
Kumamoto Prefectural Decorated Tumulus Museum
Also On View in the Collection Galleries特別展観覧料が必要
Ceramics of Japan and East Asia
July 30–September 11, 2022
Ceramics|3F-1 gallery
Ceramics are prized not only for their beauty but also for their uses as dishes and in other quotidian functions. East Asian ceramics have a particularly wide range of patterns, forms, colors, and applications. They can incorporate vastly different materials and techniques, resulting in wares as diverse as earthenware or porcelain, with distinguishing characteristics deriving from the types of clay, the glazes, the décor, and the firing techniques employed at the site of their production. This gallery features a variety of ceramics from Japan, China, and the Korean Peninsula, pieces exemplifying the distinctive qualities and assets of each kiln site.

Tomb Figure of a Court Lady
Kyoto National Museum
Special Viewing
Kumamoto and Miyazaki in the Kofun Period: Stone Figures and Shell Bracelets
July 30–September 11, 2022
Archaeological Relics|3F-2 gallery
Kofun-period culture arose in the Kinai region in the middle of the third century, and by the fourth century common features could be seen stretching from the northeastern Tohoku region to the southwestern island of Kyushu. These included similarities in residences and the shapes of keyhole-shaped tumuli called “kofun.” But by the fifth and sixth centuries, evidence of noticeable differences appeared in the styles of stone burial chambers and the burial goods contained in these tumuli.
Among these broader changes, the south-central region of Kyushu developed a unique burial culture independent of the Honshu and Shikoku regions. Prime examples include stone figures called sekijin and figures carved in relief that have been found mainly in Kumamoto and Fukuoka prefectures, as well as bracelets made from shell imported from oceans to the south, which were discovered in Miyazaki. This exhibition shows that, far from the popular image of regional uniformity, the Kumamoto and Miyazaki regions developed their own unique Kofun culture.

Shell Bracelet
From Ōtsubo Tomb No. 1, Miyazaki
Saitobaru Archaeological Museum of Miyazaki Prefecture

Object with Incised Lines and Arcs
From Kunigoshi Tumulus, Kumamoto
Kumamoto Prefectural Decorated Tumulus Museum
Also On View in the Collection Galleries特別展観覧料が必要
Ceramics of Japan and East Asia
July 30–September 11, 2022
Ceramics|3F-1 gallery
Ceramics are prized not only for their beauty but also for their uses as dishes and in other quotidian functions. East Asian ceramics have a particularly wide range of patterns, forms, colors, and applications. They can incorporate vastly different materials and techniques, resulting in wares as diverse as earthenware or porcelain, with distinguishing characteristics deriving from the types of clay, the glazes, the décor, and the firing techniques employed at the site of their production. This gallery features a variety of ceramics from Japan, China, and the Korean Peninsula, pieces exemplifying the distinctive qualities and assets of each kiln site.

Tomb Figure of a Court Lady
Kyoto National Museum
Special Viewing
Kumamoto and Miyazaki in the Kofun Period: Stone Figures and Shell Bracelets
July 30–September 11, 2022
Archaeological Relics|3F-2 gallery
Kofun-period culture arose in the Kinai region in the middle of the third century, and by the fourth century common features could be seen stretching from the northeastern Tohoku region to the southwestern island of Kyushu. These included similarities in residences and the shapes of keyhole-shaped tumuli called “kofun.” But by the fifth and sixth centuries, evidence of noticeable differences appeared in the styles of stone burial chambers and the burial goods contained in these tumuli.
Among these broader changes, the south-central region of Kyushu developed a unique burial culture independent of the Honshu and Shikoku regions. Prime examples include stone figures called sekijin and figures carved in relief that have been found mainly in Kumamoto and Fukuoka prefectures, as well as bracelets made from shell imported from oceans to the south, which were discovered in Miyazaki. This exhibition shows that, far from the popular image of regional uniformity, the Kumamoto and Miyazaki regions developed their own unique Kofun culture.

Shell Bracelet
From Ōtsubo Tomb No. 1, Miyazaki
Saitobaru Archaeological Museum of Miyazaki Prefecture

Object with Incised Lines and Arcs
From Kunigoshi Tumulus, Kumamoto
Kumamoto Prefectural Decorated Tumulus Museum
Also On View in the Collection Galleries特別展観覧料が必要
Ceramics of Japan and East Asia
July 30–September 11, 2022
Ceramics|3F-1 gallery
Ceramics are prized not only for their beauty but also for their uses as dishes and in other quotidian functions. East Asian ceramics have a particularly wide range of patterns, forms, colors, and applications. They can incorporate vastly different materials and techniques, resulting in wares as diverse as earthenware or porcelain, with distinguishing characteristics deriving from the types of clay, the glazes, the décor, and the firing techniques employed at the site of their production. This gallery features a variety of ceramics from Japan, China, and the Korean Peninsula, pieces exemplifying the distinctive qualities and assets of each kiln site.

Tomb Figure of a Court Lady
Kyoto National Museum
Special Viewing
Kumamoto and Miyazaki in the Kofun Period: Stone Figures and Shell Bracelets
July 30–September 11, 2022
Archaeological Relics|3F-2 gallery
Kofun-period culture arose in the Kinai region in the middle of the third century, and by the fourth century common features could be seen stretching from the northeastern Tohoku region to the southwestern island of Kyushu. These included similarities in residences and the shapes of keyhole-shaped tumuli called “kofun.” But by the fifth and sixth centuries, evidence of noticeable differences appeared in the styles of stone burial chambers and the burial goods contained in these tumuli.
Among these broader changes, the south-central region of Kyushu developed a unique burial culture independent of the Honshu and Shikoku regions. Prime examples include stone figures called sekijin and figures carved in relief that have been found mainly in Kumamoto and Fukuoka prefectures, as well as bracelets made from shell imported from oceans to the south, which were discovered in Miyazaki. This exhibition shows that, far from the popular image of regional uniformity, the Kumamoto and Miyazaki regions developed their own unique Kofun culture.

Shell Bracelet
From Ōtsubo Tomb No. 1, Miyazaki
Saitobaru Archaeological Museum of Miyazaki Prefecture

Object with Incised Lines and Arcs
From Kunigoshi Tumulus, Kumamoto
Kumamoto Prefectural Decorated Tumulus Museum
Also On View in the Collection Galleries特別展観覧料が必要
Ceramics of Japan and East Asia
July 30–September 11, 2022
Ceramics|3F-1 gallery
Ceramics are prized not only for their beauty but also for their uses as dishes and in other quotidian functions. East Asian ceramics have a particularly wide range of patterns, forms, colors, and applications. They can incorporate vastly different materials and techniques, resulting in wares as diverse as earthenware or porcelain, with distinguishing characteristics deriving from the types of clay, the glazes, the décor, and the firing techniques employed at the site of their production. This gallery features a variety of ceramics from Japan, China, and the Korean Peninsula, pieces exemplifying the distinctive qualities and assets of each kiln site.

Tomb Figure of a Court Lady
Kyoto National Museum
Special Viewing
Kumamoto and Miyazaki in the Kofun Period: Stone Figures and Shell Bracelets
July 30–September 11, 2022
Archaeological Relics|3F-2 gallery
Kofun-period culture arose in the Kinai region in the middle of the third century, and by the fourth century common features could be seen stretching from the northeastern Tohoku region to the southwestern island of Kyushu. These included similarities in residences and the shapes of keyhole-shaped tumuli called “kofun.” But by the fifth and sixth centuries, evidence of noticeable differences appeared in the styles of stone burial chambers and the burial goods contained in these tumuli.
Among these broader changes, the south-central region of Kyushu developed a unique burial culture independent of the Honshu and Shikoku regions. Prime examples include stone figures called sekijin and figures carved in relief that have been found mainly in Kumamoto and Fukuoka prefectures, as well as bracelets made from shell imported from oceans to the south, which were discovered in Miyazaki. This exhibition shows that, far from the popular image of regional uniformity, the Kumamoto and Miyazaki regions developed their own unique Kofun culture.

Shell Bracelet
From Ōtsubo Tomb No. 1, Miyazaki
Saitobaru Archaeological Museum of Miyazaki Prefecture

Object with Incised Lines and Arcs
From Kunigoshi Tumulus, Kumamoto
Kumamoto Prefectural Decorated Tumulus Museum
Also On View in the Collection Galleries特別展観覧料が必要
Ceramics of Japan and East Asia
July 30–September 11, 2022
Ceramics|3F-1 gallery
Ceramics are prized not only for their beauty but also for their uses as dishes and in other quotidian functions. East Asian ceramics have a particularly wide range of patterns, forms, colors, and applications. They can incorporate vastly different materials and techniques, resulting in wares as diverse as earthenware or porcelain, with distinguishing characteristics deriving from the types of clay, the glazes, the décor, and the firing techniques employed at the site of their production. This gallery features a variety of ceramics from Japan, China, and the Korean Peninsula, pieces exemplifying the distinctive qualities and assets of each kiln site.

Tomb Figure of a Court Lady
Kyoto National Museum
Special Viewing
Kumamoto and Miyazaki in the Kofun Period: Stone Figures and Shell Bracelets
July 30–September 11, 2022
Archaeological Relics|3F-2 gallery
Kofun-period culture arose in the Kinai region in the middle of the third century, and by the fourth century common features could be seen stretching from the northeastern Tohoku region to the southwestern island of Kyushu. These included similarities in residences and the shapes of keyhole-shaped tumuli called “kofun.” But by the fifth and sixth centuries, evidence of noticeable differences appeared in the styles of stone burial chambers and the burial goods contained in these tumuli.
Among these broader changes, the south-central region of Kyushu developed a unique burial culture independent of the Honshu and Shikoku regions. Prime examples include stone figures called sekijin and figures carved in relief that have been found mainly in Kumamoto and Fukuoka prefectures, as well as bracelets made from shell imported from oceans to the south, which were discovered in Miyazaki. This exhibition shows that, far from the popular image of regional uniformity, the Kumamoto and Miyazaki regions developed their own unique Kofun culture.

Shell Bracelet
From Ōtsubo Tomb No. 1, Miyazaki
Saitobaru Archaeological Museum of Miyazaki Prefecture

Object with Incised Lines and Arcs
From Kunigoshi Tumulus, Kumamoto
Kumamoto Prefectural Decorated Tumulus Museum
Also On View in the Collection Galleries特別展観覧料が必要
Ceramics of Japan and East Asia
July 30–September 11, 2022
Ceramics|3F-1 gallery
Ceramics are prized not only for their beauty but also for their uses as dishes and in other quotidian functions. East Asian ceramics have a particularly wide range of patterns, forms, colors, and applications. They can incorporate vastly different materials and techniques, resulting in wares as diverse as earthenware or porcelain, with distinguishing characteristics deriving from the types of clay, the glazes, the décor, and the firing techniques employed at the site of their production. This gallery features a variety of ceramics from Japan, China, and the Korean Peninsula, pieces exemplifying the distinctive qualities and assets of each kiln site.

Tomb Figure of a Court Lady
Kyoto National Museum
Special Viewing
Kumamoto and Miyazaki in the Kofun Period: Stone Figures and Shell Bracelets
July 30–September 11, 2022
Archaeological Relics|3F-2 gallery
Kofun-period culture arose in the Kinai region in the middle of the third century, and by the fourth century common features could be seen stretching from the northeastern Tohoku region to the southwestern island of Kyushu. These included similarities in residences and the shapes of keyhole-shaped tumuli called “kofun.” But by the fifth and sixth centuries, evidence of noticeable differences appeared in the styles of stone burial chambers and the burial goods contained in these tumuli.
Among these broader changes, the south-central region of Kyushu developed a unique burial culture independent of the Honshu and Shikoku regions. Prime examples include stone figures called sekijin and figures carved in relief that have been found mainly in Kumamoto and Fukuoka prefectures, as well as bracelets made from shell imported from oceans to the south, which were discovered in Miyazaki. This exhibition shows that, far from the popular image of regional uniformity, the Kumamoto and Miyazaki regions developed their own unique Kofun culture.

Shell Bracelet
From Ōtsubo Tomb No. 1, Miyazaki
Saitobaru Archaeological Museum of Miyazaki Prefecture

Object with Incised Lines and Arcs
From Kunigoshi Tumulus, Kumamoto
Kumamoto Prefectural Decorated Tumulus Museum
Also On View in the Collection Galleries特別展観覧料が必要
Ceramics of Japan and East Asia
July 30–September 11, 2022
Ceramics|3F-1 gallery
Ceramics are prized not only for their beauty but also for their uses as dishes and in other quotidian functions. East Asian ceramics have a particularly wide range of patterns, forms, colors, and applications. They can incorporate vastly different materials and techniques, resulting in wares as diverse as earthenware or porcelain, with distinguishing characteristics deriving from the types of clay, the glazes, the décor, and the firing techniques employed at the site of their production. This gallery features a variety of ceramics from Japan, China, and the Korean Peninsula, pieces exemplifying the distinctive qualities and assets of each kiln site.

Tomb Figure of a Court Lady
Kyoto National Museum
Special Viewing
Kumamoto and Miyazaki in the Kofun Period: Stone Figures and Shell Bracelets
July 30–September 11, 2022
Archaeological Relics|3F-2 gallery
Kofun-period culture arose in the Kinai region in the middle of the third century, and by the fourth century common features could be seen stretching from the northeastern Tohoku region to the southwestern island of Kyushu. These included similarities in residences and the shapes of keyhole-shaped tumuli called “kofun.” But by the fifth and sixth centuries, evidence of noticeable differences appeared in the styles of stone burial chambers and the burial goods contained in these tumuli.
Among these broader changes, the south-central region of Kyushu developed a unique burial culture independent of the Honshu and Shikoku regions. Prime examples include stone figures called sekijin and figures carved in relief that have been found mainly in Kumamoto and Fukuoka prefectures, as well as bracelets made from shell imported from oceans to the south, which were discovered in Miyazaki. This exhibition shows that, far from the popular image of regional uniformity, the Kumamoto and Miyazaki regions developed their own unique Kofun culture.

Shell Bracelet
From Ōtsubo Tomb No. 1, Miyazaki
Saitobaru Archaeological Museum of Miyazaki Prefecture

Object with Incised Lines and Arcs
From Kunigoshi Tumulus, Kumamoto
Kumamoto Prefectural Decorated Tumulus Museum
Also On View in the Collection Galleries特別展観覧料が必要
Ceramics of Japan and East Asia
July 30–September 11, 2022
Ceramics|3F-1 gallery
Ceramics are prized not only for their beauty but also for their uses as dishes and in other quotidian functions. East Asian ceramics have a particularly wide range of patterns, forms, colors, and applications. They can incorporate vastly different materials and techniques, resulting in wares as diverse as earthenware or porcelain, with distinguishing characteristics deriving from the types of clay, the glazes, the décor, and the firing techniques employed at the site of their production. This gallery features a variety of ceramics from Japan, China, and the Korean Peninsula, pieces exemplifying the distinctive qualities and assets of each kiln site.

Tomb Figure of a Court Lady
Kyoto National Museum
Special Viewing
Kumamoto and Miyazaki in the Kofun Period: Stone Figures and Shell Bracelets
July 30–September 11, 2022
Archaeological Relics|3F-2 gallery
Kofun-period culture arose in the Kinai region in the middle of the third century, and by the fourth century common features could be seen stretching from the northeastern Tohoku region to the southwestern island of Kyushu. These included similarities in residences and the shapes of keyhole-shaped tumuli called “kofun.” But by the fifth and sixth centuries, evidence of noticeable differences appeared in the styles of stone burial chambers and the burial goods contained in these tumuli.
Among these broader changes, the south-central region of Kyushu developed a unique burial culture independent of the Honshu and Shikoku regions. Prime examples include stone figures called sekijin and figures carved in relief that have been found mainly in Kumamoto and Fukuoka prefectures, as well as bracelets made from shell imported from oceans to the south, which were discovered in Miyazaki. This exhibition shows that, far from the popular image of regional uniformity, the Kumamoto and Miyazaki regions developed their own unique Kofun culture.

Shell Bracelet
From Ōtsubo Tomb No. 1, Miyazaki
Saitobaru Archaeological Museum of Miyazaki Prefecture

Object with Incised Lines and Arcs
From Kunigoshi Tumulus, Kumamoto
Kumamoto Prefectural Decorated Tumulus Museum
Also On View in the Collection Galleries特別展観覧料が必要
Ceramics of Japan and East Asia
July 30–September 11, 2022
Ceramics|3F-1 gallery
Ceramics are prized not only for their beauty but also for their uses as dishes and in other quotidian functions. East Asian ceramics have a particularly wide range of patterns, forms, colors, and applications. They can incorporate vastly different materials and techniques, resulting in wares as diverse as earthenware or porcelain, with distinguishing characteristics deriving from the types of clay, the glazes, the décor, and the firing techniques employed at the site of their production. This gallery features a variety of ceramics from Japan, China, and the Korean Peninsula, pieces exemplifying the distinctive qualities and assets of each kiln site.

Tomb Figure of a Court Lady
Kyoto National Museum
Special Viewing
Kumamoto and Miyazaki in the Kofun Period: Stone Figures and Shell Bracelets
July 30–September 11, 2022
Archaeological Relics|3F-2 gallery
Kofun-period culture arose in the Kinai region in the middle of the third century, and by the fourth century common features could be seen stretching from the northeastern Tohoku region to the southwestern island of Kyushu. These included similarities in residences and the shapes of keyhole-shaped tumuli called “kofun.” But by the fifth and sixth centuries, evidence of noticeable differences appeared in the styles of stone burial chambers and the burial goods contained in these tumuli.
Among these broader changes, the south-central region of Kyushu developed a unique burial culture independent of the Honshu and Shikoku regions. Prime examples include stone figures called sekijin and figures carved in relief that have been found mainly in Kumamoto and Fukuoka prefectures, as well as bracelets made from shell imported from oceans to the south, which were discovered in Miyazaki. This exhibition shows that, far from the popular image of regional uniformity, the Kumamoto and Miyazaki regions developed their own unique Kofun culture.

Shell Bracelet
From Ōtsubo Tomb No. 1, Miyazaki
Saitobaru Archaeological Museum of Miyazaki Prefecture

Object with Incised Lines and Arcs
From Kunigoshi Tumulus, Kumamoto
Kumamoto Prefectural Decorated Tumulus Museum
Also On View in the Collection Galleries特別展観覧料が必要
Ceramics of Japan and East Asia
July 30–September 11, 2022
Ceramics|3F-1 gallery
Ceramics are prized not only for their beauty but also for their uses as dishes and in other quotidian functions. East Asian ceramics have a particularly wide range of patterns, forms, colors, and applications. They can incorporate vastly different materials and techniques, resulting in wares as diverse as earthenware or porcelain, with distinguishing characteristics deriving from the types of clay, the glazes, the décor, and the firing techniques employed at the site of their production. This gallery features a variety of ceramics from Japan, China, and the Korean Peninsula, pieces exemplifying the distinctive qualities and assets of each kiln site.

Tomb Figure of a Court Lady
Kyoto National Museum
Special Viewing
Kumamoto and Miyazaki in the Kofun Period: Stone Figures and Shell Bracelets
July 30–September 11, 2022
Archaeological Relics|3F-2 gallery
Kofun-period culture arose in the Kinai region in the middle of the third century, and by the fourth century common features could be seen stretching from the northeastern Tohoku region to the southwestern island of Kyushu. These included similarities in residences and the shapes of keyhole-shaped tumuli called “kofun.” But by the fifth and sixth centuries, evidence of noticeable differences appeared in the styles of stone burial chambers and the burial goods contained in these tumuli.
Among these broader changes, the south-central region of Kyushu developed a unique burial culture independent of the Honshu and Shikoku regions. Prime examples include stone figures called sekijin and figures carved in relief that have been found mainly in Kumamoto and Fukuoka prefectures, as well as bracelets made from shell imported from oceans to the south, which were discovered in Miyazaki. This exhibition shows that, far from the popular image of regional uniformity, the Kumamoto and Miyazaki regions developed their own unique Kofun culture.

Shell Bracelet
From Ōtsubo Tomb No. 1, Miyazaki
Saitobaru Archaeological Museum of Miyazaki Prefecture

Object with Incised Lines and Arcs
From Kunigoshi Tumulus, Kumamoto
Kumamoto Prefectural Decorated Tumulus Museum
Also On View in the Collection Galleries特別展観覧料が必要
Ceramics of Japan and East Asia
July 30–September 11, 2022
Ceramics|3F-1 gallery
Ceramics are prized not only for their beauty but also for their uses as dishes and in other quotidian functions. East Asian ceramics have a particularly wide range of patterns, forms, colors, and applications. They can incorporate vastly different materials and techniques, resulting in wares as diverse as earthenware or porcelain, with distinguishing characteristics deriving from the types of clay, the glazes, the décor, and the firing techniques employed at the site of their production. This gallery features a variety of ceramics from Japan, China, and the Korean Peninsula, pieces exemplifying the distinctive qualities and assets of each kiln site.

Tomb Figure of a Court Lady
Kyoto National Museum
Special Viewing
Kumamoto and Miyazaki in the Kofun Period: Stone Figures and Shell Bracelets
July 30–September 11, 2022
Archaeological Relics|3F-2 gallery
Kofun-period culture arose in the Kinai region in the middle of the third century, and by the fourth century common features could be seen stretching from the northeastern Tohoku region to the southwestern island of Kyushu. These included similarities in residences and the shapes of keyhole-shaped tumuli called “kofun.” But by the fifth and sixth centuries, evidence of noticeable differences appeared in the styles of stone burial chambers and the burial goods contained in these tumuli.
Among these broader changes, the south-central region of Kyushu developed a unique burial culture independent of the Honshu and Shikoku regions. Prime examples include stone figures called sekijin and figures carved in relief that have been found mainly in Kumamoto and Fukuoka prefectures, as well as bracelets made from shell imported from oceans to the south, which were discovered in Miyazaki. This exhibition shows that, far from the popular image of regional uniformity, the Kumamoto and Miyazaki regions developed their own unique Kofun culture.

Shell Bracelet
From Ōtsubo Tomb No. 1, Miyazaki
Saitobaru Archaeological Museum of Miyazaki Prefecture

Object with Incised Lines and Arcs
From Kunigoshi Tumulus, Kumamoto
Kumamoto Prefectural Decorated Tumulus Museum
Also On View in the Collection Galleries特別展観覧料が必要
Ceramics of Japan and East Asia
July 30–September 11, 2022
Ceramics|3F-1 gallery
Ceramics are prized not only for their beauty but also for their uses as dishes and in other quotidian functions. East Asian ceramics have a particularly wide range of patterns, forms, colors, and applications. They can incorporate vastly different materials and techniques, resulting in wares as diverse as earthenware or porcelain, with distinguishing characteristics deriving from the types of clay, the glazes, the décor, and the firing techniques employed at the site of their production. This gallery features a variety of ceramics from Japan, China, and the Korean Peninsula, pieces exemplifying the distinctive qualities and assets of each kiln site.

Tomb Figure of a Court Lady
Kyoto National Museum
Special Viewing
Kumamoto and Miyazaki in the Kofun Period: Stone Figures and Shell Bracelets
July 30–September 11, 2022
Archaeological Relics|3F-2 gallery
Kofun-period culture arose in the Kinai region in the middle of the third century, and by the fourth century common features could be seen stretching from the northeastern Tohoku region to the southwestern island of Kyushu. These included similarities in residences and the shapes of keyhole-shaped tumuli called “kofun.” But by the fifth and sixth centuries, evidence of noticeable differences appeared in the styles of stone burial chambers and the burial goods contained in these tumuli.
Among these broader changes, the south-central region of Kyushu developed a unique burial culture independent of the Honshu and Shikoku regions. Prime examples include stone figures called sekijin and figures carved in relief that have been found mainly in Kumamoto and Fukuoka prefectures, as well as bracelets made from shell imported from oceans to the south, which were discovered in Miyazaki. This exhibition shows that, far from the popular image of regional uniformity, the Kumamoto and Miyazaki regions developed their own unique Kofun culture.

Shell Bracelet
From Ōtsubo Tomb No. 1, Miyazaki
Saitobaru Archaeological Museum of Miyazaki Prefecture

Object with Incised Lines and Arcs
From Kunigoshi Tumulus, Kumamoto
Kumamoto Prefectural Decorated Tumulus Museum
Also On View in the Collection Galleries特別展観覧料が必要
Ceramics of Japan and East Asia
July 30–September 11, 2022
Ceramics|3F-1 gallery
Ceramics are prized not only for their beauty but also for their uses as dishes and in other quotidian functions. East Asian ceramics have a particularly wide range of patterns, forms, colors, and applications. They can incorporate vastly different materials and techniques, resulting in wares as diverse as earthenware or porcelain, with distinguishing characteristics deriving from the types of clay, the glazes, the décor, and the firing techniques employed at the site of their production. This gallery features a variety of ceramics from Japan, China, and the Korean Peninsula, pieces exemplifying the distinctive qualities and assets of each kiln site.

Tomb Figure of a Court Lady
Kyoto National Museum
Special Viewing
Kumamoto and Miyazaki in the Kofun Period: Stone Figures and Shell Bracelets
July 30–September 11, 2022
Archaeological Relics|3F-2 gallery
Kofun-period culture arose in the Kinai region in the middle of the third century, and by the fourth century common features could be seen stretching from the northeastern Tohoku region to the southwestern island of Kyushu. These included similarities in residences and the shapes of keyhole-shaped tumuli called “kofun.” But by the fifth and sixth centuries, evidence of noticeable differences appeared in the styles of stone burial chambers and the burial goods contained in these tumuli.
Among these broader changes, the south-central region of Kyushu developed a unique burial culture independent of the Honshu and Shikoku regions. Prime examples include stone figures called sekijin and figures carved in relief that have been found mainly in Kumamoto and Fukuoka prefectures, as well as bracelets made from shell imported from oceans to the south, which were discovered in Miyazaki. This exhibition shows that, far from the popular image of regional uniformity, the Kumamoto and Miyazaki regions developed their own unique Kofun culture.

Shell Bracelet
From Ōtsubo Tomb No. 1, Miyazaki
Saitobaru Archaeological Museum of Miyazaki Prefecture

Object with Incised Lines and Arcs
From Kunigoshi Tumulus, Kumamoto
Kumamoto Prefectural Decorated Tumulus Museum
Also On View in the Collection Galleries特別展観覧料が必要
Ceramics of Japan and East Asia
July 30–September 11, 2022
Ceramics|3F-1 gallery
Ceramics are prized not only for their beauty but also for their uses as dishes and in other quotidian functions. East Asian ceramics have a particularly wide range of patterns, forms, colors, and applications. They can incorporate vastly different materials and techniques, resulting in wares as diverse as earthenware or porcelain, with distinguishing characteristics deriving from the types of clay, the glazes, the décor, and the firing techniques employed at the site of their production. This gallery features a variety of ceramics from Japan, China, and the Korean Peninsula, pieces exemplifying the distinctive qualities and assets of each kiln site.

Tomb Figure of a Court Lady
Kyoto National Museum
Special Viewing
Kumamoto and Miyazaki in the Kofun Period: Stone Figures and Shell Bracelets
July 30–September 11, 2022
Archaeological Relics|3F-2 gallery
Kofun-period culture arose in the Kinai region in the middle of the third century, and by the fourth century common features could be seen stretching from the northeastern Tohoku region to the southwestern island of Kyushu. These included similarities in residences and the shapes of keyhole-shaped tumuli called “kofun.” But by the fifth and sixth centuries, evidence of noticeable differences appeared in the styles of stone burial chambers and the burial goods contained in these tumuli.
Among these broader changes, the south-central region of Kyushu developed a unique burial culture independent of the Honshu and Shikoku regions. Prime examples include stone figures called sekijin and figures carved in relief that have been found mainly in Kumamoto and Fukuoka prefectures, as well as bracelets made from shell imported from oceans to the south, which were discovered in Miyazaki. This exhibition shows that, far from the popular image of regional uniformity, the Kumamoto and Miyazaki regions developed their own unique Kofun culture.

Shell Bracelet
From Ōtsubo Tomb No. 1, Miyazaki
Saitobaru Archaeological Museum of Miyazaki Prefecture

Object with Incised Lines and Arcs
From Kunigoshi Tumulus, Kumamoto
Kumamoto Prefectural Decorated Tumulus Museum
Also On View in the Collection Galleries特別展観覧料が必要
Ceramics of Japan and East Asia
July 30–September 11, 2022
Ceramics|3F-1 gallery
Ceramics are prized not only for their beauty but also for their uses as dishes and in other quotidian functions. East Asian ceramics have a particularly wide range of patterns, forms, colors, and applications. They can incorporate vastly different materials and techniques, resulting in wares as diverse as earthenware or porcelain, with distinguishing characteristics deriving from the types of clay, the glazes, the décor, and the firing techniques employed at the site of their production. This gallery features a variety of ceramics from Japan, China, and the Korean Peninsula, pieces exemplifying the distinctive qualities and assets of each kiln site.

Tomb Figure of a Court Lady
Kyoto National Museum
Special Viewing
Kumamoto and Miyazaki in the Kofun Period: Stone Figures and Shell Bracelets
July 30–September 11, 2022
Archaeological Relics|3F-2 gallery
Kofun-period culture arose in the Kinai region in the middle of the third century, and by the fourth century common features could be seen stretching from the northeastern Tohoku region to the southwestern island of Kyushu. These included similarities in residences and the shapes of keyhole-shaped tumuli called “kofun.” But by the fifth and sixth centuries, evidence of noticeable differences appeared in the styles of stone burial chambers and the burial goods contained in these tumuli.
Among these broader changes, the south-central region of Kyushu developed a unique burial culture independent of the Honshu and Shikoku regions. Prime examples include stone figures called sekijin and figures carved in relief that have been found mainly in Kumamoto and Fukuoka prefectures, as well as bracelets made from shell imported from oceans to the south, which were discovered in Miyazaki. This exhibition shows that, far from the popular image of regional uniformity, the Kumamoto and Miyazaki regions developed their own unique Kofun culture.

Shell Bracelet
From Ōtsubo Tomb No. 1, Miyazaki
Saitobaru Archaeological Museum of Miyazaki Prefecture

Object with Incised Lines and Arcs
From Kunigoshi Tumulus, Kumamoto
Kumamoto Prefectural Decorated Tumulus Museum
Also On View in the Collection Galleries特別展観覧料が必要
Ceramics of Japan and East Asia
July 30–September 11, 2022
Ceramics|3F-1 gallery
Ceramics are prized not only for their beauty but also for their uses as dishes and in other quotidian functions. East Asian ceramics have a particularly wide range of patterns, forms, colors, and applications. They can incorporate vastly different materials and techniques, resulting in wares as diverse as earthenware or porcelain, with distinguishing characteristics deriving from the types of clay, the glazes, the décor, and the firing techniques employed at the site of their production. This gallery features a variety of ceramics from Japan, China, and the Korean Peninsula, pieces exemplifying the distinctive qualities and assets of each kiln site.

Tomb Figure of a Court Lady
Kyoto National Museum
Special Viewing
Kumamoto and Miyazaki in the Kofun Period: Stone Figures and Shell Bracelets
July 30–September 11, 2022
Archaeological Relics|3F-2 gallery
Kofun-period culture arose in the Kinai region in the middle of the third century, and by the fourth century common features could be seen stretching from the northeastern Tohoku region to the southwestern island of Kyushu. These included similarities in residences and the shapes of keyhole-shaped tumuli called “kofun.” But by the fifth and sixth centuries, evidence of noticeable differences appeared in the styles of stone burial chambers and the burial goods contained in these tumuli.
Among these broader changes, the south-central region of Kyushu developed a unique burial culture independent of the Honshu and Shikoku regions. Prime examples include stone figures called sekijin and figures carved in relief that have been found mainly in Kumamoto and Fukuoka prefectures, as well as bracelets made from shell imported from oceans to the south, which were discovered in Miyazaki. This exhibition shows that, far from the popular image of regional uniformity, the Kumamoto and Miyazaki regions developed their own unique Kofun culture.

Shell Bracelet
From Ōtsubo Tomb No. 1, Miyazaki
Saitobaru Archaeological Museum of Miyazaki Prefecture

Object with Incised Lines and Arcs
From Kunigoshi Tumulus, Kumamoto
Kumamoto Prefectural Decorated Tumulus Museum
Also On View in the Collection Galleries特別展観覧料が必要
Ceramics of Japan and East Asia
July 30–September 11, 2022
Ceramics|3F-1 gallery
Ceramics are prized not only for their beauty but also for their uses as dishes and in other quotidian functions. East Asian ceramics have a particularly wide range of patterns, forms, colors, and applications. They can incorporate vastly different materials and techniques, resulting in wares as diverse as earthenware or porcelain, with distinguishing characteristics deriving from the types of clay, the glazes, the décor, and the firing techniques employed at the site of their production. This gallery features a variety of ceramics from Japan, China, and the Korean Peninsula, pieces exemplifying the distinctive qualities and assets of each kiln site.

Tomb Figure of a Court Lady
Kyoto National Museum
Special Viewing
Kumamoto and Miyazaki in the Kofun Period: Stone Figures and Shell Bracelets
July 30–September 11, 2022
Archaeological Relics|3F-2 gallery
Kofun-period culture arose in the Kinai region in the middle of the third century, and by the fourth century common features could be seen stretching from the northeastern Tohoku region to the southwestern island of Kyushu. These included similarities in residences and the shapes of keyhole-shaped tumuli called “kofun.” But by the fifth and sixth centuries, evidence of noticeable differences appeared in the styles of stone burial chambers and the burial goods contained in these tumuli.
Among these broader changes, the south-central region of Kyushu developed a unique burial culture independent of the Honshu and Shikoku regions. Prime examples include stone figures called sekijin and figures carved in relief that have been found mainly in Kumamoto and Fukuoka prefectures, as well as bracelets made from shell imported from oceans to the south, which were discovered in Miyazaki. This exhibition shows that, far from the popular image of regional uniformity, the Kumamoto and Miyazaki regions developed their own unique Kofun culture.

Shell Bracelet
From Ōtsubo Tomb No. 1, Miyazaki
Saitobaru Archaeological Museum of Miyazaki Prefecture

Object with Incised Lines and Arcs
From Kunigoshi Tumulus, Kumamoto
Kumamoto Prefectural Decorated Tumulus Museum
Also On View in the Collection Galleries特別展観覧料が必要
Ceramics of Japan and East Asia
July 30–September 11, 2022
Ceramics|3F-1 gallery
Ceramics are prized not only for their beauty but also for their uses as dishes and in other quotidian functions. East Asian ceramics have a particularly wide range of patterns, forms, colors, and applications. They can incorporate vastly different materials and techniques, resulting in wares as diverse as earthenware or porcelain, with distinguishing characteristics deriving from the types of clay, the glazes, the décor, and the firing techniques employed at the site of their production. This gallery features a variety of ceramics from Japan, China, and the Korean Peninsula, pieces exemplifying the distinctive qualities and assets of each kiln site.

Tomb Figure of a Court Lady
Kyoto National Museum
Special Viewing
Kumamoto and Miyazaki in the Kofun Period: Stone Figures and Shell Bracelets
July 30–September 11, 2022
Archaeological Relics|3F-2 gallery
Kofun-period culture arose in the Kinai region in the middle of the third century, and by the fourth century common features could be seen stretching from the northeastern Tohoku region to the southwestern island of Kyushu. These included similarities in residences and the shapes of keyhole-shaped tumuli called “kofun.” But by the fifth and sixth centuries, evidence of noticeable differences appeared in the styles of stone burial chambers and the burial goods contained in these tumuli.
Among these broader changes, the south-central region of Kyushu developed a unique burial culture independent of the Honshu and Shikoku regions. Prime examples include stone figures called sekijin and figures carved in relief that have been found mainly in Kumamoto and Fukuoka prefectures, as well as bracelets made from shell imported from oceans to the south, which were discovered in Miyazaki. This exhibition shows that, far from the popular image of regional uniformity, the Kumamoto and Miyazaki regions developed their own unique Kofun culture.

Shell Bracelet
From Ōtsubo Tomb No. 1, Miyazaki
Saitobaru Archaeological Museum of Miyazaki Prefecture

Object with Incised Lines and Arcs
From Kunigoshi Tumulus, Kumamoto
Kumamoto Prefectural Decorated Tumulus Museum
Also On View in the Collection Galleries特別展観覧料が必要
Ceramics of Japan and East Asia
July 30–September 11, 2022
Ceramics|3F-1 gallery
Ceramics are prized not only for their beauty but also for their uses as dishes and in other quotidian functions. East Asian ceramics have a particularly wide range of patterns, forms, colors, and applications. They can incorporate vastly different materials and techniques, resulting in wares as diverse as earthenware or porcelain, with distinguishing characteristics deriving from the types of clay, the glazes, the décor, and the firing techniques employed at the site of their production. This gallery features a variety of ceramics from Japan, China, and the Korean Peninsula, pieces exemplifying the distinctive qualities and assets of each kiln site.

Tomb Figure of a Court Lady
Kyoto National Museum
Special Viewing
Kumamoto and Miyazaki in the Kofun Period: Stone Figures and Shell Bracelets
July 30–September 11, 2022
Archaeological Relics|3F-2 gallery
Kofun-period culture arose in the Kinai region in the middle of the third century, and by the fourth century common features could be seen stretching from the northeastern Tohoku region to the southwestern island of Kyushu. These included similarities in residences and the shapes of keyhole-shaped tumuli called “kofun.” But by the fifth and sixth centuries, evidence of noticeable differences appeared in the styles of stone burial chambers and the burial goods contained in these tumuli.
Among these broader changes, the south-central region of Kyushu developed a unique burial culture independent of the Honshu and Shikoku regions. Prime examples include stone figures called sekijin and figures carved in relief that have been found mainly in Kumamoto and Fukuoka prefectures, as well as bracelets made from shell imported from oceans to the south, which were discovered in Miyazaki. This exhibition shows that, far from the popular image of regional uniformity, the Kumamoto and Miyazaki regions developed their own unique Kofun culture.

Shell Bracelet
From Ōtsubo Tomb No. 1, Miyazaki
Saitobaru Archaeological Museum of Miyazaki Prefecture

Object with Incised Lines and Arcs
From Kunigoshi Tumulus, Kumamoto
Kumamoto Prefectural Decorated Tumulus Museum
Also On View in the Collection Galleries特別展観覧料が必要
Ceramics of Japan and East Asia
July 30–September 11, 2022
Ceramics|3F-1 gallery
Ceramics are prized not only for their beauty but also for their uses as dishes and in other quotidian functions. East Asian ceramics have a particularly wide range of patterns, forms, colors, and applications. They can incorporate vastly different materials and techniques, resulting in wares as diverse as earthenware or porcelain, with distinguishing characteristics deriving from the types of clay, the glazes, the décor, and the firing techniques employed at the site of their production. This gallery features a variety of ceramics from Japan, China, and the Korean Peninsula, pieces exemplifying the distinctive qualities and assets of each kiln site.

Tomb Figure of a Court Lady
Kyoto National Museum
Special Viewing
Kumamoto and Miyazaki in the Kofun Period: Stone Figures and Shell Bracelets
July 30–September 11, 2022
Archaeological Relics|3F-2 gallery
Kofun-period culture arose in the Kinai region in the middle of the third century, and by the fourth century common features could be seen stretching from the northeastern Tohoku region to the southwestern island of Kyushu. These included similarities in residences and the shapes of keyhole-shaped tumuli called “kofun.” But by the fifth and sixth centuries, evidence of noticeable differences appeared in the styles of stone burial chambers and the burial goods contained in these tumuli.
Among these broader changes, the south-central region of Kyushu developed a unique burial culture independent of the Honshu and Shikoku regions. Prime examples include stone figures called sekijin and figures carved in relief that have been found mainly in Kumamoto and Fukuoka prefectures, as well as bracelets made from shell imported from oceans to the south, which were discovered in Miyazaki. This exhibition shows that, far from the popular image of regional uniformity, the Kumamoto and Miyazaki regions developed their own unique Kofun culture.

Shell Bracelet
From Ōtsubo Tomb No. 1, Miyazaki
Saitobaru Archaeological Museum of Miyazaki Prefecture

Object with Incised Lines and Arcs
From Kunigoshi Tumulus, Kumamoto
Kumamoto Prefectural Decorated Tumulus Museum
Also On View in the Collection Galleries特別展観覧料が必要
Ceramics of Japan and East Asia
July 30–September 11, 2022
Ceramics|3F-1 gallery
Ceramics are prized not only for their beauty but also for their uses as dishes and in other quotidian functions. East Asian ceramics have a particularly wide range of patterns, forms, colors, and applications. They can incorporate vastly different materials and techniques, resulting in wares as diverse as earthenware or porcelain, with distinguishing characteristics deriving from the types of clay, the glazes, the décor, and the firing techniques employed at the site of their production. This gallery features a variety of ceramics from Japan, China, and the Korean Peninsula, pieces exemplifying the distinctive qualities and assets of each kiln site.

Tomb Figure of a Court Lady
Kyoto National Museum
Special Viewing
Kumamoto and Miyazaki in the Kofun Period: Stone Figures and Shell Bracelets
July 30–September 11, 2022
Archaeological Relics|3F-2 gallery
Kofun-period culture arose in the Kinai region in the middle of the third century, and by the fourth century common features could be seen stretching from the northeastern Tohoku region to the southwestern island of Kyushu. These included similarities in residences and the shapes of keyhole-shaped tumuli called “kofun.” But by the fifth and sixth centuries, evidence of noticeable differences appeared in the styles of stone burial chambers and the burial goods contained in these tumuli.
Among these broader changes, the south-central region of Kyushu developed a unique burial culture independent of the Honshu and Shikoku regions. Prime examples include stone figures called sekijin and figures carved in relief that have been found mainly in Kumamoto and Fukuoka prefectures, as well as bracelets made from shell imported from oceans to the south, which were discovered in Miyazaki. This exhibition shows that, far from the popular image of regional uniformity, the Kumamoto and Miyazaki regions developed their own unique Kofun culture.

Shell Bracelet
From Ōtsubo Tomb No. 1, Miyazaki
Saitobaru Archaeological Museum of Miyazaki Prefecture

Object with Incised Lines and Arcs
From Kunigoshi Tumulus, Kumamoto
Kumamoto Prefectural Decorated Tumulus Museum
Also On View in the Collection Galleries特別展観覧料が必要
Ceramics of Japan and East Asia
July 30–September 11, 2022
Ceramics|3F-1 gallery
Ceramics are prized not only for their beauty but also for their uses as dishes and in other quotidian functions. East Asian ceramics have a particularly wide range of patterns, forms, colors, and applications. They can incorporate vastly different materials and techniques, resulting in wares as diverse as earthenware or porcelain, with distinguishing characteristics deriving from the types of clay, the glazes, the décor, and the firing techniques employed at the site of their production. This gallery features a variety of ceramics from Japan, China, and the Korean Peninsula, pieces exemplifying the distinctive qualities and assets of each kiln site.

Tomb Figure of a Court Lady
Kyoto National Museum
Special Viewing
Kumamoto and Miyazaki in the Kofun Period: Stone Figures and Shell Bracelets
July 30–September 11, 2022
Archaeological Relics|3F-2 gallery
Kofun-period culture arose in the Kinai region in the middle of the third century, and by the fourth century common features could be seen stretching from the northeastern Tohoku region to the southwestern island of Kyushu. These included similarities in residences and the shapes of keyhole-shaped tumuli called “kofun.” But by the fifth and sixth centuries, evidence of noticeable differences appeared in the styles of stone burial chambers and the burial goods contained in these tumuli.
Among these broader changes, the south-central region of Kyushu developed a unique burial culture independent of the Honshu and Shikoku regions. Prime examples include stone figures called sekijin and figures carved in relief that have been found mainly in Kumamoto and Fukuoka prefectures, as well as bracelets made from shell imported from oceans to the south, which were discovered in Miyazaki. This exhibition shows that, far from the popular image of regional uniformity, the Kumamoto and Miyazaki regions developed their own unique Kofun culture.

Shell Bracelet
From Ōtsubo Tomb No. 1, Miyazaki
Saitobaru Archaeological Museum of Miyazaki Prefecture

Object with Incised Lines and Arcs
From Kunigoshi Tumulus, Kumamoto
Kumamoto Prefectural Decorated Tumulus Museum
Also On View in the Collection Galleries特別展観覧料が必要
Ceramics of Japan and East Asia
July 30–September 11, 2022
Ceramics|3F-1 gallery
Ceramics are prized not only for their beauty but also for their uses as dishes and in other quotidian functions. East Asian ceramics have a particularly wide range of patterns, forms, colors, and applications. They can incorporate vastly different materials and techniques, resulting in wares as diverse as earthenware or porcelain, with distinguishing characteristics deriving from the types of clay, the glazes, the décor, and the firing techniques employed at the site of their production. This gallery features a variety of ceramics from Japan, China, and the Korean Peninsula, pieces exemplifying the distinctive qualities and assets of each kiln site.

Tomb Figure of a Court Lady
Kyoto National Museum
Special Viewing
Kumamoto and Miyazaki in the Kofun Period: Stone Figures and Shell Bracelets
July 30–September 11, 2022
Archaeological Relics|3F-2 gallery
Kofun-period culture arose in the Kinai region in the middle of the third century, and by the fourth century common features could be seen stretching from the northeastern Tohoku region to the southwestern island of Kyushu. These included similarities in residences and the shapes of keyhole-shaped tumuli called “kofun.” But by the fifth and sixth centuries, evidence of noticeable differences appeared in the styles of stone burial chambers and the burial goods contained in these tumuli.
Among these broader changes, the south-central region of Kyushu developed a unique burial culture independent of the Honshu and Shikoku regions. Prime examples include stone figures called sekijin and figures carved in relief that have been found mainly in Kumamoto and Fukuoka prefectures, as well as bracelets made from shell imported from oceans to the south, which were discovered in Miyazaki. This exhibition shows that, far from the popular image of regional uniformity, the Kumamoto and Miyazaki regions developed their own unique Kofun culture.

Shell Bracelet
From Ōtsubo Tomb No. 1, Miyazaki
Saitobaru Archaeological Museum of Miyazaki Prefecture

Object with Incised Lines and Arcs
From Kunigoshi Tumulus, Kumamoto
Kumamoto Prefectural Decorated Tumulus Museum
Also On View in the Collection Galleries特別展観覧料が必要
Ceramics of Japan and East Asia
July 30–September 11, 2022
Ceramics|3F-1 gallery
Ceramics are prized not only for their beauty but also for their uses as dishes and in other quotidian functions. East Asian ceramics have a particularly wide range of patterns, forms, colors, and applications. They can incorporate vastly different materials and techniques, resulting in wares as diverse as earthenware or porcelain, with distinguishing characteristics deriving from the types of clay, the glazes, the décor, and the firing techniques employed at the site of their production. This gallery features a variety of ceramics from Japan, China, and the Korean Peninsula, pieces exemplifying the distinctive qualities and assets of each kiln site.

Tomb Figure of a Court Lady
Kyoto National Museum
Special Viewing
Kumamoto and Miyazaki in the Kofun Period: Stone Figures and Shell Bracelets
July 30–September 11, 2022
Archaeological Relics|3F-2 gallery
Kofun-period culture arose in the Kinai region in the middle of the third century, and by the fourth century common features could be seen stretching from the northeastern Tohoku region to the southwestern island of Kyushu. These included similarities in residences and the shapes of keyhole-shaped tumuli called “kofun.” But by the fifth and sixth centuries, evidence of noticeable differences appeared in the styles of stone burial chambers and the burial goods contained in these tumuli.
Among these broader changes, the south-central region of Kyushu developed a unique burial culture independent of the Honshu and Shikoku regions. Prime examples include stone figures called sekijin and figures carved in relief that have been found mainly in Kumamoto and Fukuoka prefectures, as well as bracelets made from shell imported from oceans to the south, which were discovered in Miyazaki. This exhibition shows that, far from the popular image of regional uniformity, the Kumamoto and Miyazaki regions developed their own unique Kofun culture.

Shell Bracelet
From Ōtsubo Tomb No. 1, Miyazaki
Saitobaru Archaeological Museum of Miyazaki Prefecture

Object with Incised Lines and Arcs
From Kunigoshi Tumulus, Kumamoto
Kumamoto Prefectural Decorated Tumulus Museum
Also On View in the Collection Galleries特別展観覧料が必要
Ceramics of Japan and East Asia
July 30–September 11, 2022
Ceramics|3F-1 gallery
Ceramics are prized not only for their beauty but also for their uses as dishes and in other quotidian functions. East Asian ceramics have a particularly wide range of patterns, forms, colors, and applications. They can incorporate vastly different materials and techniques, resulting in wares as diverse as earthenware or porcelain, with distinguishing characteristics deriving from the types of clay, the glazes, the décor, and the firing techniques employed at the site of their production. This gallery features a variety of ceramics from Japan, China, and the Korean Peninsula, pieces exemplifying the distinctive qualities and assets of each kiln site.

Tomb Figure of a Court Lady
Kyoto National Museum
Special Viewing
Kumamoto and Miyazaki in the Kofun Period: Stone Figures and Shell Bracelets
July 30–September 11, 2022
Archaeological Relics|3F-2 gallery
Kofun-period culture arose in the Kinai region in the middle of the third century, and by the fourth century common features could be seen stretching from the northeastern Tohoku region to the southwestern island of Kyushu. These included similarities in residences and the shapes of keyhole-shaped tumuli called “kofun.” But by the fifth and sixth centuries, evidence of noticeable differences appeared in the styles of stone burial chambers and the burial goods contained in these tumuli.
Among these broader changes, the south-central region of Kyushu developed a unique burial culture independent of the Honshu and Shikoku regions. Prime examples include stone figures called sekijin and figures carved in relief that have been found mainly in Kumamoto and Fukuoka prefectures, as well as bracelets made from shell imported from oceans to the south, which were discovered in Miyazaki. This exhibition shows that, far from the popular image of regional uniformity, the Kumamoto and Miyazaki regions developed their own unique Kofun culture.

Shell Bracelet
From Ōtsubo Tomb No. 1, Miyazaki
Saitobaru Archaeological Museum of Miyazaki Prefecture

Object with Incised Lines and Arcs
From Kunigoshi Tumulus, Kumamoto
Kumamoto Prefectural Decorated Tumulus Museum
Also On View in the Collection Galleries特別展観覧料が必要
Ceramics of Japan and East Asia
July 30–September 11, 2022
Ceramics|3F-1 gallery
Ceramics are prized not only for their beauty but also for their uses as dishes and in other quotidian functions. East Asian ceramics have a particularly wide range of patterns, forms, colors, and applications. They can incorporate vastly different materials and techniques, resulting in wares as diverse as earthenware or porcelain, with distinguishing characteristics deriving from the types of clay, the glazes, the décor, and the firing techniques employed at the site of their production. This gallery features a variety of ceramics from Japan, China, and the Korean Peninsula, pieces exemplifying the distinctive qualities and assets of each kiln site.

Tomb Figure of a Court Lady
Kyoto National Museum
Special Viewing
Kumamoto and Miyazaki in the Kofun Period: Stone Figures and Shell Bracelets
July 30–September 11, 2022
Archaeological Relics|3F-2 gallery
Kofun-period culture arose in the Kinai region in the middle of the third century, and by the fourth century common features could be seen stretching from the northeastern Tohoku region to the southwestern island of Kyushu. These included similarities in residences and the shapes of keyhole-shaped tumuli called “kofun.” But by the fifth and sixth centuries, evidence of noticeable differences appeared in the styles of stone burial chambers and the burial goods contained in these tumuli.
Among these broader changes, the south-central region of Kyushu developed a unique burial culture independent of the Honshu and Shikoku regions. Prime examples include stone figures called sekijin and figures carved in relief that have been found mainly in Kumamoto and Fukuoka prefectures, as well as bracelets made from shell imported from oceans to the south, which were discovered in Miyazaki. This exhibition shows that, far from the popular image of regional uniformity, the Kumamoto and Miyazaki regions developed their own unique Kofun culture.

Shell Bracelet
From Ōtsubo Tomb No. 1, Miyazaki
Saitobaru Archaeological Museum of Miyazaki Prefecture

Object with Incised Lines and Arcs
From Kunigoshi Tumulus, Kumamoto
Kumamoto Prefectural Decorated Tumulus Museum